http://itwillbeok.com IT WILL BE OK Fri, 08 Mar 2013 17:18:10 +0000 http://itwillbeok.com en http://itwillbeok.com/While-at-Last http://itwillbeok.com/following/itwillbeok.com/While-at-Last Fri, 08 Mar 2013 17:18:10 +0000 IT WILL BE OK 5141209 This body of work was made deliberately as part of a two person show with Carissa Potter at Ramon's Tailor. While, at Last is on view from March 7th to April 4th, 2013. This exhibition is a backdoor to the visual vocabulary of the present definition of history, in which artifact and reproduction are confused. Antonucci and Potter try to locate themselves by pulling fragments from their surroundings and attempting to re-construct the whole. Instead, they describe the grand act of failure while trying to capture a moment in time. All we are left with is blank references and a mirage of neo-classicalism. <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020883.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020883_o.JPG" data-mid="27615144" border="0" align="left"/> <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020906.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020906_o.JPG" data-mid="27615156" border="0" align="left"/> Getty at the Beach, beach towel, 30 x 58, $650 <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020887.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020887_o.JPG" data-mid="27615065" border="0" align="left"/> <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020890.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020890_o.JPG" data-mid="27615105" border="0" align="left"/> Architectural Ornament, cast foam, 52 x 5.5 x 42, $450 <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020888.JPG" width="670" height="893" width_o="800" height_o="1067" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020888_o.JPG" data-mid="27615189" border="0" align="left"/> <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020892.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020892_o.JPG" data-mid="27615197" border="0" align="left"/> Triple Beam, blinds and adhesive paper, 31 x 28, $550 <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020895.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020895_o.JPG" data-mid="27615202" border="0" align="left"/> <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020934.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020934_o.JPG" data-mid="27615213" border="0" align="left"/> Adjustable Columns (Black + Silver), plaster, curtain rod, pipe clamp, 4.5 x height variable, $600 <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020912.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020912_o.JPG" data-mid="27615219" border="0" align="left"/> <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020913.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020913_o.JPG" data-mid="27615232" border="0" align="left"/> Murdered out Marble, screen print on acrylic sheet,10 x 12, $450 <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020921.JPG" width="651" height="1067" width_o="651" height_o="1067" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020921_o.JPG" data-mid="27615243" border="0" align="left"/> <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020922.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020922_o.JPG" data-mid="27615259" border="0" align="left"/> Tie Dye, adhesive paper on acrylic sheet, 8.5 x 17.5, $450 <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020925.JPG" width="670" height="893" width_o="800" height_o="1067" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020925_o.JPG" data-mid="27615269" border="0" align="left"/> White Girl, screen print on acrylic sheet, 9.5 x 16, $700 <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020901.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020901_o.JPG" data-mid="27615271" border="0" align="left"/> <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020902.JPG" width="670" height="893" width_o="800" height_o="1067" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020902_o.JPG" data-mid="27615274" border="0" align="left"/> Red Revival 1+2, screen print on acrylic sheet, 6.75 x 15.75, $550 Over my shoulder, Over your shoulder, plaster, wood, acrylic, 32 x 10.5, $750 <img src="http://payload142.cargocollective.com/1/4/147443/5141209/P1020910.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload142.cargocollective.com/1/4/147443/5141209/P1020910_o.JPG" data-mid="27615307" border="0" align="left"/> This body of work was made deliberately as part of a two person show with Carissa Potter at Ramon's Tailor. While, at Last is on view from March 7th to April 4th,... http://itwillbeok.com/Fallen-Empire-II http://itwillbeok.com/following/itwillbeok.com/Fallen-Empire-II Wed, 06 Feb 2013 18:10:00 +0000 IT WILL BE OK 4932713 Fallen Empire II is the second book in a series of publications concerned with the cycle of cultural empires. Instead of history's general scope of identifying the unique narrative of different civilizations this series is concerned with "burying them in a common grave". The book is an edition of 50 with 10 Limited Edition boxes made, including a marbled acrylic sheet and four columns forming a table for the book. Featured on No Layout, collected by Booklet Library, Tokyo, Japan, and reviewed on The Art Book Review by Sarah Bay Williams. Available at Fallen Empire II is the second book in a series of publications concerned with the cycle of cultural empires. Instead of history's general scope of identifying the... http://itwillbeok.com/Soft-Arc http://itwillbeok.com/following/itwillbeok.com/Soft-Arc Mon, 30 Jul 2012 14:42:23 +0000 IT WILL BE OK 3837230 This series uses the electromagnetic impulses of a monitor in the absence of any feed, input, film or video - the monitor’s output when it is static or underutilized. He deconstructs and enfeebles the monitor gradually killing its output. The natural devolution of the monitor is stimulated, to instigate an image that could have occurred without manipulation, much like triggering a chain reaction to create a nuclear explosion. At the very moment immediately before the monitor dies, the monitor’s electromagnetic impulses create explosions and leaks of vivid color. At this pinnacle moment, “the soft arc” forms. This body of work captures the unpredictable, ever-varying vibrant, spontaneous and fleeting images that resemble an electronic aurora borealis. This work elevates the television monitor beyond its typical use as a backdrop or projector of imagery. Unlike a filmmaker or a video artist who uses the monitor as a canvas to display his art – the moving image, the monitor is the medium here. The television is no longer secondary to the image, no longer used to frame or display the image, no longer the sedentary backdrop, but the tool used to create the image. The use of analog monitors to create a formal image begs the question whether society’s rejection of this obsolete technology as useless, outdated and impertinent is misguided. The focus is on the final moment in the monitor’s life. This calls attention to the death of the analog format, and leads us to wonder whether the digital age has eliminated and replaced a valuable and beautiful medium. The work is nostalgic, and asks whether the analog form deserves preservation much like the vinyl record or the black and white photograph. This series is a culmination of my work in graduate school at SFAI and was shown at Vernissage in 2010. <img src="http://payload76.cargocollective.com/1/4/147443/3837230/tvcloud9B.jpg" width="600" height="552" width_o="600" height_o="552" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/tvcloud9B_o.jpg" data-mid="19992188" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/4/147443/3837230/tvcloud9A.jpg" width="600" height="399" width_o="600" height_o="399" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/tvcloud9A_o.jpg" data-mid="19992642" border="0" align="left"/> Soft Arc Installation, 2 by 6 feet, 9 monitors <img src="http://payload76.cargocollective.com/1/4/147443/3837230/softarcbcake.jpg" width="600" height="840" width_o="600" height_o="840" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/softarcbcake_o.jpg" data-mid="19992254" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/4/147443/3837230/softarcgrey.jpg" width="600" height="840" width_o="600" height_o="840" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/softarcgrey_o.jpg" data-mid="19992279" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/4/147443/3837230/softarc1detail.jpg" width="600" height="840" width_o="600" height_o="840" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/softarc1detail_o.jpg" data-mid="19992309" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/4/147443/3837230/softarcbwash.jpg" width="600" height="840" width_o="600" height_o="840" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/softarcbwash_o.jpg" data-mid="19992316" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/4/147443/3837230/softarccream.jpg" width="600" height="840" width_o="600" height_o="840" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/softarccream_o.jpg" data-mid="19992323" border="0" align="left"/> Soft Arc, C-Prints, 20 by 30 <img src="http://payload76.cargocollective.com/1/4/147443/3837230/2bookjewels.jpg" width="600" height="855" width_o="600" height_o="855" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/2bookjewels_o.jpg" data-mid="19992413" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/4/147443/3837230/xmas.jpg" width="600" height="398" width_o="600" height_o="398" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/xmas_o.jpg" data-mid="19992431" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/4/147443/3837230/2bookHANDS.jpg" width="600" height="778" width_o="600" height_o="778" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/2bookHANDS_o.jpg" data-mid="19992436" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/4/147443/3837230/2bookinside.jpg" width="600" height="790" width_o="600" height_o="790" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/2bookinside_o.jpg" data-mid="19992444" border="0" align="left"/> Soft Arc Vol.1, Book, 5 by 7, 30 pages <img src="http://payload76.cargocollective.com/1/4/147443/3837230/arcinstall3UP.jpg" width="600" height="398" width_o="600" height_o="398" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/arcinstall3UP_o.jpg" data-mid="19992488" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/4/147443/3837230/arcinstall2SIDE.jpg" width="600" height="398" width_o="600" height_o="398" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/arcinstall2SIDE_o.jpg" data-mid="19992496" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/4/147443/3837230/arcinstallCU.jpg" width="600" height="398" width_o="600" height_o="398" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/arcinstallCU_o.jpg" data-mid="19992510" border="0" align="left"/><img src="http://payload76.cargocollective.com/1/4/147443/3837230/arcinstallSOLO2.jpg" width="600" height="398" width_o="600" height_o="398" src_o="http://payload76.cargocollective.com/1/4/147443/3837230/arcinstallSOLO2_o.jpg" data-mid="19992525" border="0" align="left"/> Soft Arc Vol.2, 7 Unique Sculptural Magazines, 12 by 12 This series uses the electromagnetic impulses of a monitor in the absence of any feed, input, film or video - the monitor’s output when it is static or... http://itwillbeok.com/Fallen-Empire http://itwillbeok.com/following/itwillbeok.com/Fallen-Empire Thu, 21 Jun 2012 17:23:51 +0000 IT WILL BE OK 3631686 Fallen Empire Vol. 1 8 by 10 8 pages Serigraph images Letterpress text Fallen Empire was featured in a photography exhibition, as a part of Photoville, in Brooklyn, NY. The art of man is able to construct monuments far more permanent than the narrow span of his own existence: yet these monuments, like himself, are perishable and frail; and in the boundless annals of time his life and his labours must equally be measured as a fleeting moment... ...the vicissitudes of fortune, which spares neither man nor the proudest of his works, which buries empires and cities in a common grave.. -Gibbon <img src="http://payload66.cargocollective.com/1/4/147443/3631686/P1020617.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload66.cargocollective.com/1/4/147443/3631686/P1020617_o.JPG" data-mid="18817920" border="0" align="left"/><img src="http://payload66.cargocollective.com/1/4/147443/3631686/P1020616.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload66.cargocollective.com/1/4/147443/3631686/P1020616_o.JPG" data-mid="18817919" border="0" align="left"/><img src="http://payload66.cargocollective.com/1/4/147443/3631686/P1020618.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload66.cargocollective.com/1/4/147443/3631686/P1020618_o.JPG" data-mid="18817921" border="0" align="left"/><img src="http://payload66.cargocollective.com/1/4/147443/3631686/P1020623.JPG" width="670" height="893" width_o="800" height_o="1067" src_o="http://payload66.cargocollective.com/1/4/147443/3631686/P1020623_o.JPG" data-mid="18817925" border="0" align="left"/><img src="http://payload66.cargocollective.com/1/4/147443/3631686/P1020628.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload66.cargocollective.com/1/4/147443/3631686/P1020628_o.JPG" data-mid="18817926" border="0" align="left"/><img src="http://payload66.cargocollective.com/1/4/147443/3631686/P1020631.JPG" width="670" height="502" width_o="800" height_o="600" src_o="http://payload66.cargocollective.com/1/4/147443/3631686/P1020631_o.JPG" data-mid="18817929" border="0" align="left"/> Fallen Empire Vol. 1 8 by 10 8 pages Serigraph images Letterpress text Fallen Empire was featured in a photography exhibition, as a part of Photoville, in... http://itwillbeok.com/One-by-One http://itwillbeok.com/following/itwillbeok.com/One-by-One Thu, 21 Jun 2012 17:03:52 +0000 IT WILL BE OK 3631547 One by One, 2011 Installation, White ceramic tiles, Dimensions variable As part of Des Chapitres Du Conflit, a project organized by the office for collaborative sustainability, COLLASUS. "certain pieces implied or excluded the vicinity of other pieces and were shifted along certain lines. Ignoring the objects' variety of form, he could grasp the system of arranging one with respect to the others" - Calvino This installation was a response to the abandoned Iraqi embassy in East Berlin. This work approached the historical nature of the site by taking tiles from the bathroom and laying them across three flights of stairs, implicating the audience in the evacuation/occupation of the building and tracing the ghostly narrative of its inhabitants. <img src="http://payload66.cargocollective.com/1/4/147443/3631547/luca1.jpeg" width="500" height="375" width_o="500" height_o="375" src_o="http://payload66.cargocollective.com/1/4/147443/3631547/luca1_o.jpeg" data-mid="18817064" border="0" align="left"/><img src="http://payload66.cargocollective.com/1/4/147443/3631547/luca2.jpeg" width="500" height="335" width_o="500" height_o="335" src_o="http://payload66.cargocollective.com/1/4/147443/3631547/luca2_o.jpeg" data-mid="18817066" border="0" align="left"/><img src="http://payload66.cargocollective.com/1/4/147443/3631547/luca3.jpeg" width="500" height="667" width_o="500" height_o="667" src_o="http://payload66.cargocollective.com/1/4/147443/3631547/luca3_o.jpeg" data-mid="18817069" border="0" align="left"/><img src="http://payload66.cargocollective.com/1/4/147443/3631547/luca4.jpeg" width="500" height="335" width_o="500" height_o="335" src_o="http://payload66.cargocollective.com/1/4/147443/3631547/luca4_o.jpeg" data-mid="18817070" border="0" align="left"/> One by One, 2011 Installation, White ceramic tiles, Dimensions variable As part of Des Chapitres Du Conflit, a project organized by the office for collaborative... http://itwillbeok.com/There-is-Never-Forever http://itwillbeok.com/following/itwillbeok.com/There-is-Never-Forever Wed, 18 Apr 2012 21:56:09 +0000 IT WILL BE OK 3234654 ... only an Infinity of Nothing. Never, 24 by 19, Black and White Serigraph, 1st ed. of 5. Forever, 24 by 19, Black and White Serigraph, 1st ed. of 5. Nothing, 24 by 19, Black and White Serigraph, 1st ed. of 5. Infinity, 19 by 24, Black and White Serigraph, 1st ed. of 5. 1 of 5 have hand-colored text. Price upon request. Available at Colpa Press. <img src="http://payload46.cargocollective.com/1/4/147443/3234654/never.jpg" width="670" height="492" width_o="800" height_o="588" src_o="http://payload46.cargocollective.com/1/4/147443/3234654/never_o.jpg" data-mid="16566253" border="0" align="left"/><img src="http://payload46.cargocollective.com/1/4/147443/3234654/forever.jpg" width="670" height="662" width_o="800" height_o="791" src_o="http://payload46.cargocollective.com/1/4/147443/3234654/forever_o.jpg" data-mid="16566254" border="0" align="left"/><img src="http://payload46.cargocollective.com/1/4/147443/3234654/nothing.jpg" width="670" height="452" width_o="800" height_o="540" src_o="http://payload46.cargocollective.com/1/4/147443/3234654/nothing_o.jpg" data-mid="16566255" border="0" align="left"/><img src="http://payload46.cargocollective.com/1/4/147443/3234654/infinity.jpg" width="670" height="771" width_o="800" height_o="921" src_o="http://payload46.cargocollective.com/1/4/147443/3234654/infinity_o.jpg" data-mid="16566258" border="0" align="left"/> ... only an Infinity of Nothing. Never, 24 by 19, Black and White Serigraph, 1st ed. of 5. Forever, 24 by 19, Black and White Serigraph, 1st ed. of 5. Nothing, 24... http://itwillbeok.com/Remnants http://itwillbeok.com/following/itwillbeok.com/Remnants Wed, 22 Feb 2012 18:59:29 +0000 IT WILL BE OK 2864110 These images of the remnants of Supernovae represent the gravitational collapse of a star. In this moment of transition, energy from the explosion can either form a black hole or trigger the formation of new stars. Shrouded, the object contains far greater potential than the uncovered image, referencing the steps involved in the production of scientific imagery and the presentation of art objects. These prints are part of solo exhibition, The New Nothing, at Cain Shulte gallery. Remnant 1 – Kepler SN 164 30 x 40 archival inkjet print framed, glycine, shipping crate Remnant 2 – N 63A Menagerie 40 x 30 archival inkjet print framed, glycine <img src="http://payload28.cargocollective.com/1/4/147443/2864110/02091238.jpeg" width="648" height="476" width_o="648" height_o="476" src_o="http://payload28.cargocollective.com/1/4/147443/2864110/02091238_o.jpeg" data-mid="14559935" border="0" align="left"/> These images of the remnants of Supernovae represent the gravitational collapse of a star. In this moment of transition, energy from the explosion can either form a... http://itwillbeok.com/Eternal-Sunset http://itwillbeok.com/following/itwillbeok.com/Eternal-Sunset Fri, 20 Jan 2012 03:12:04 +0000 IT WILL BE OK 2642533 This past year, NASA released an image of the sun setting on Mars. Eternal Sunset is a digital collage that calibrates a series of frames, collapsing in to the image, to a color calibration target created by sampling the colors of the Hubble Deep Field Image, in First Light. The result is an image, already embedded with the romanticism of mankind (it's existence - an emblematic example of our projections), can be seen through these translucent squares as the colors of the first light of the universe, are muddled in to meaningless gray. <img src="http://payload17.cargocollective.com/1/4/147443/2642533/sunsetonmars.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload17.cargocollective.com/1/4/147443/2642533/sunsetonmars_o.jpg" data-mid="13376580" border="0" align="left"/> This past year, NASA released an image of the sun setting on Mars. Eternal Sunset is a digital collage that calibrates a series of frames, collapsing in to the... http://itwillbeok.com/Space-Time-Architecture http://itwillbeok.com/following/itwillbeok.com/Space-Time-Architecture Fri, 20 Jan 2012 02:48:13 +0000 IT WILL BE OK 2642470 Space, Time and Architecture needed to be revised. Sigmund Gideon introduces the fourth edition of his seminal text on architecture with this call to action. My revision of his book is a process consisting of three significant steps. Firstly, over 20 percent of the text has been crossed out with a black felt marker leaving only the contours of letters, forming a more condensed history of space. Secondly, close to 70 percent of the book has been covered with white ink, creating a thin sheer. The blurry suggestion of knowledge occupies each page, but the hard fact of its printing obscured to a vague impression. Thirdly, the images are left to stand alone, allowing them to be read separately from the intended context of their caption. In this new form, a visual metaphor is achieved. Through its editing, a ratio of dark matter, visible matter, and dark energy is represented in literal terms. The book is reinvented as an object that represents the knowledge it fails to hold on to and the history of science, art and architecture are revealed as dynamic and interweaved. Thus, the historical narrative of mankind's effort to define space is revealed in his failure. 6 prints emblematic of this process: The Laws of Nature, transparent film inkjet print, 24 by 18. Foreword, transparent film inkjet print, 24 by 18. Fragments, transparent film inkjet print, 24 by 18. Overemphasis, transparent film inkjet print, 18 by 24. Continuity, transparent film inkjet print, 24 by 18. Form, transparent film inkjet print, 24 by 18. The book: Space, Time & Architecture, felt marker and water-based ink on paper, 5 by 7, 881 pages. Unique. This project was part of a show with Cybele Lyle at Royal NoneSuch Gallery from January 13th to February 26th, 2012 and featured in Nothing is True , Nothing is Untrue at Sherwood Gallery. The publication: A 32 page full color book with an intro by Christina Linden. Reviewed by Sarah Bay Williams on The Art Book Review. <img src="http://payload17.cargocollective.com/1/4/147443/2642470/cover.jpg" width="670" height="502" width_o="800" height_o="600" src_o="http://payload17.cargocollective.com/1/4/147443/2642470/cover_o.jpg" data-mid="13376285" border="0" align="left"/><img src="http://payload17.cargocollective.com/1/4/147443/2642470/overemphasis.jpg" width="670" height="893" width_o="800" height_o="1067" src_o="http://payload17.cargocollective.com/1/4/147443/2642470/overemphasis_o.jpg" data-mid="13376253" border="0" align="left"/><img src="http://payload17.cargocollective.com/1/4/147443/2642470/human_factor.jpg" width="670" height="469" width_o="800" height_o="560" src_o="http://payload17.cargocollective.com/1/4/147443/2642470/human_factor_o.jpg" data-mid="15807323" border="0" align="left"/><img src="http://payload17.cargocollective.com/1/4/147443/2642470/stabook.jpg" width="670" height="444" width_o="800" height_o="531" src_o="http://payload17.cargocollective.com/1/4/147443/2642470/stabook_o.jpg" data-mid="18817741" border="0" align="left"/><img src="http://payload17.cargocollective.com/1/4/147443/2642470/stabook2.jpg" width="670" height="448" width_o="800" height_o="536" src_o="http://payload17.cargocollective.com/1/4/147443/2642470/stabook2_o.jpg" data-mid="18817742" border="0" align="left"/><img src="http://payload17.cargocollective.com/1/4/147443/2642470/page-2.jpg" width="670" height="893" width_o="800" height_o="1067" src_o="http://payload17.cargocollective.com/1/4/147443/2642470/page-2_o.jpg" data-mid="13376289" border="0" align="left"/><img src="http://payload17.cargocollective.com/1/4/147443/2642470/forms.jpg" width="670" height="484" width_o="800" height_o="578" src_o="http://payload17.cargocollective.com/1/4/147443/2642470/forms_o.jpg" data-mid="13376283" border="0" align="left"/><img src="http://payload17.cargocollective.com/1/4/147443/2642470/continuity.jpg" width="670" height="502" width_o="800" height_o="600" src_o="http://payload17.cargocollective.com/1/4/147443/2642470/continuity_o.jpg" data-mid="13376284" border="0" align="left"/><img src="http://payload17.cargocollective.com/1/4/147443/2642470/STAMAIL.jpg" width="670" height="251" width_o="800" height_o="300" src_o="http://payload17.cargocollective.com/1/4/147443/2642470/STAMAIL_o.jpg" data-mid="25206385" border="0" align="left"/> Space, Time and Architecture needed to be revised. Sigmund Gideon introduces the fourth edition of his seminal text on architecture with this call to action. My... http://itwillbeok.com/Redshift http://itwillbeok.com/following/itwillbeok.com/Redshift Wed, 11 Jan 2012 04:18:40 +0000 IT WILL BE OK 2584875 Cosmological redshift is seen due to the expansion of the universe, and sufficiently distant light sources show redshift corresponding to the rate of increase of their distance from Earth. These serigraphs take the plotted data of 3 stars undergoing a spectral shift and applies a literal translation of that data, demonstrating the changing color of each star under observation. <img src="http://payload14.cargocollective.com/1/4/147443/2584875/bluetored.jpg" width="670" height="476" width_o="756" height_o="538" src_o="http://payload14.cargocollective.com/1/4/147443/2584875/bluetored_o.jpg" data-mid="13066288" border="0" align="left"/><img src="http://payload14.cargocollective.com/1/4/147443/2584875/redtoyellow.jpg" width="670" height="490" width_o="800" height_o="586" src_o="http://payload14.cargocollective.com/1/4/147443/2584875/redtoyellow_o.jpg" data-mid="13066289" border="0" align="left"/><img src="http://payload14.cargocollective.com/1/4/147443/2584875/bluetowhite.jpg" width="670" height="458" width_o="800" height_o="548" src_o="http://payload14.cargocollective.com/1/4/147443/2584875/bluetowhite_o.jpg" data-mid="13066291" border="0" align="left"/> Cosmological redshift is seen due to the expansion of the universe, and sufficiently distant light sources show redshift corresponding to the rate of increase of...